Monday, April 11, 2005

Butterfly wing, in progress

I really enjoy seeing the steps of work in progress, so I thought I'd share what I'm working on currently.

A few months ago, I made this block for my art quilt group's exchange block project.



It's about 10 inches square. I liked it so much that I wanted to try making something like it only really big. So, I found a photo of a butterfly to work with. Here it is:



I adjusted it with Photoshop by cropping it and tilting it, just to make it easier to work with:



Then, still using Photoshop, I used a filter to find the edges of the shapes and came up with this:



I made this the large size I wanted (about 45 inches square), then printed it out on separate pages. When I taped them together, this is what it looked like:



From this point on, I used a technique I learned from Julie Hirota. (She describes this technique in detail in her new book, Art Glass Quilts.) Basically, I taped pieces of freezer paper together to make a large solid piece this size, and then traced the shape onto freezer paper. Then, I ironed the freezer paper onto Pellon ShirtTailor fusible interfacing, and cut out the white spaces, leaving just the part that shows as black here. I ended up with a lacy piece of interfacing to use as the template for the black wing structure. (Sorry, I got involved in these steps and didn't take pictures.)

Then, I fused the ShirtTailor "lace" onto black fabric, so the result looked like this:



Then, I was ready to reverse-applique the colors into the blobs that show here as black. You can see that in the upper left corner of the wing, I've already appliqued some of the white dots. I used the applique technique from Julie too. I cut away the center of the splotch, leaving about a quarter-inch around. I clipped the curves, dabbed spray starch onto then, and then pressed the edges open...Here's where the ShirtTailor does its best work, because the stiff edge of the interfacing supports the edge as it folds back, and creates a nice clean edge. Then, using Roxane's Glue-Baste glue (you can also use a glue stick) I laid the white fabric over the black outline (on the backside) to hold for later machine applique stitching.

Here's what the back looked like after I did a lot of the white pieces. I decided to do all of the white (which was tedious) and then reward myself with the large areas of bright colors.



And here's what it looked like from the front at that point:



And here's the finished wing, with the colors filled in with fabric I dyed myself! This is the first time I've used something I've dyed, so it was rather exciting to cut into it and apply it.



Looks cool, huh? Now I just have to attach it to a background. I'm undecided. I wanted to use a sky-ish blue, as I did in the small block. I tried dyeing a piece, but it's too turquoise:



Plus, the background is too flat...not enough texture. I tried another piece ---



But it's too dark. So it's sitting on the design wall, waiting for the right background. Maybe green, to look like background foliage? Maybe something pieced? Or a fused collage look? I'm not sure and will mull it over.

7 comments:

Lisa, Procrastinator Extraordinaire said...

WoW! This is great! I love seeing how you work and I love the piece! I hate bugs so butterflies aren't really my thing, but the wings are beautiful and you're solved the problem of the icky bodies so nicely :-) Thanks for sharing this and giving such detailed notes on your method. Can't wait tosee it finished. IMO, green would be okay, but I'd hold out for the right blue (complimentray colors and all that jazz).

Gerrie said...

I have the perfect background, but you can't have it because it is a one of a kind hand dye I found at PIQF. It has blue, some green and some orangey yellow. I think you should look for a background that is not solid or static.

Elle said...

I like it! Thanks for sharing your process and progress.

teri springer said...

It really is beautiful. And, even tho I know the right blue would be *perfect* I love that top green.

Thanks for sharing the process....what filter did you use to get the outlines??

teri

Gladys Cortez said...

I love that top one, as well.

Julie Hirota said...

Hey-it's great to see how you used my subtractive applique technique from the Art Glass Quilts book! I love your piece and your work is stellar! Julie Hirota

Mary Ann Littlejohn said...

Thanks for sharing your process. I think that I always learn a little something watching step by step how another artist works out the design. Be sure to post your final decision on background for us to see.